Ampex reel tape recorders 200A & 300 • the Museum of Sound

Ampex Model 200a. Ampex reel tape recorders 200A & 300 • the Museum of Sound the Model 200A tape had a huge polished black wooden console and heavy anodized-aluminum fixtures and fittings Many of the rest of the first production run of 20 went to ABC in Chicago where they were used mainly for broadcast time delay.

Ampex numbers 1 and 2 went to the Bing Crosby Show and were used to record his 27th performance of the 1947-1948 season. The Ampex 200A, derived from the German "Magnetophon", was designed by Harold Lindsay and Myron Stolaroff

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At 16:15, the upgrade Ampex offered replacing the original 200A electronics with the 300 electronics, also converted the machine from emulsion out wind to emulsion in wind, by replacing the original head assembly with a 300. When the Ampex 200A was released for sale in April of 1948, it cost about $7,500 In April 1948, Ampex shipped the first 200A units to Mullin and Crosby.

Ampex reel tape recorders 200A & 300 • the Museum of Sound. Buy, Sell & Exchange Reel-Reel Information With Other Tape Recorder Enthusiasts The Ampex 200A, derived from the German "Magnetophon", was designed by Harold Lindsay and Myron Stolaroff

Ampex reel tape recorders 200A & 300 • the Museum of Sound. A few notes: At 2:15, the machine is an Ampex AG350, not an AG300.At 2:30 the portable Ampex 400 was model 400A On 2012 November 13, the Stanford Libraries held a reception to celebrate Larry Miller's restoration of their Ampex Model 200A Magnetic Tape Recorder, that is now on public display in the Cecil H